By: Terry Lowe
Eric Clapton is a living legend, and that is reason enough to go and see him, even if his work has been a bit lacklustre in recent years. Christine told me that the show was sold out (15,000 people, I was told later), but a ticket had been set aside for a SwankTrendz reviewer. I claimed that ticket and found my way inside with 10 minutes to spare.
I knew the show was to start at 8:30 PM, and was being presented by House Of Blues. The place was jammed with people, some of whom were young classic rock fans, but most middle-aged (with kids). I saw a brisk trade in $60 T-shirts at the concession stands. “Okay, it's going to one of those shows,” I thought: one that begins exactly on time – which I like – and ends exactly on time, and will probably be a tightly scripted crowd-pleaser.
I was right about that, but enjoyed it nevertheless. Good band, and a good seat, on the aisle 16 rows up from the front left corner of the stage. And very close to a big video projection screen, which came in handy for those close-up details.
Mr Clapton and the band appeared on stage at 8:35, picked up their guitars and launched into a succession of 1970s Derek and the Dominoes hits: “Tell The Truth”, “Key To The Highway”, and “Got To Get Better In a Little While.” EC appeared relaxed and casual, wearing a dark grey short-sleeved shirt, jeans, suede deck shoes, and a few days’ worth of grey stubble. He played his signature black Stratocaster throughout.
The band included a solid rhythm guitarist, a rocking bass / drum team, one organist and one electric pianist, and two lovely buxom backup singers who swayed in unison, and who were given chairs so they could rest during the “Shut up and play yer guitar” bits, of which there were many.
The sound quality was surprisingly good, given that the venue is a small stadium designed to host hockey games. I could hear everything clearly, and the mix was excellent.
When they launched into “Little Wing,” out came the cigarette lighters, held up aflame. Certainly not as many as there would have thirty years ago, but it certainly took me back. There was a lot of smoke in the air, and the noticeable smell of marijuana now and then.
That piece drew a semi-standing ovation; this crowd was clearly there to be pleased. “I Shot The Sheriff” drew another one, but what I noticed during EC’s extended improvised solo was that he still has it: his playing is astonishingly good, and very fluid. The camera operators gave us many close-up of the legendary Slowhand bending strings and dancing across the frets. He’s a magician with that guitar.
A refreshing sit-down acoustic set followed, with EC playing a solo six-string first, then joined by the remainder of the band, with the drummer playing a box that he was sitting on. This set included some songs unknown to me, although if the set list from last night's show in Seattle that I found on whereseric.com matches tonight’s (and so far, it has), those would be “Driftin” and “Outside Woman Blues” by blues legend Robert Johnson. Followed by “Nobody Loves You When You're Down and Out” and “Running On Faith,” during which the rhythm guitarist picked up his Strat, and the volume was turned up, and the stools cleared away.
A blazing version of “Motherless Children” followed, and to me, that was the highlight of the night. Inspired playing; and from there on it was just Greatest Hits to the end.
First, though, they had to play an extended blues-based piece, to showcase the solo abilities of the two keyboard players, the bass player, and, yes, the drummer. Playing blues-based rock, especially in stadiums, is risky. There's always the danger of slipping into formulaic or, worse, bombastic cliches. Clapton’s band was never bombastic, but there were formulaic here: all of your favourite “big rock stunts” delivered in one piece. My attention wandered. I noticed on the close-up video screen that EC's wristwatch was set an hour ahead. I admired the swaying backup singers.
The crowd ate it up, though, and wanted more. He could do no wrong, in their view. Proof of this came next: “Wonderful Tonight,” a song I've always found maudlin and tiresome. But out came the lighters again, almost as if on cue.
And then they played “Layla.”
And the crowd went nuts. They roared and stomped. I was curious to see if they’d play the extended version, with the duelling lead guitars. They did, but first had to wait for a standing ovation to settle down halfway through. And when they finally finished, the crowd gave them another ovation.
When the stage lights died thereafter, the crowd responded by making more noise than the band had all night. They wanted that encore, and of course, they got it. The time now was 10:10 PM, and I figured it was probably going to be “Cocaine,” and I was right again. They turned that into another Big Stadium Rock number (extended version), EC playing a white Strat this time. I figured that was probably it, so grabbed my coat and took off. Never could stand that song.
It’s a curious phenomenom, this adulation of 1970s music, often by people who weren't even born when it was originally released (and who thus cannot possibly appreciate its original context). Eric Clapton is known as a shy man, at times bewildered by and uncomfortable with the success his talent has brought him. Perhaps, then, he is content to deliver the seamless Greatest Hits package we saw there. The fans are certainly happy to get it.
Overall, I was glad to see him, and the band more often than not kept my interest. But that was due more to EC’s amazing playing than anything else; it would be wonderful to see him in a more relaxed setting, where he could bend our ears like he bends those strings.
Remastered and Expanded Collectible Packages Feature Unreleased Bonus Tracks and DVDRelease Date June 12, 2007Nearly twenty years after the creation of the band, and over a decade since the music was last available to fans, the music of The Traveling Wilburys will be reissued on June 12, 2007. Rhino Entertainment announced the project today and will distribute the package from the Wilbury Records label.The previously released albums Traveling Wilburys Volume 1 and Traveling Wilburys Volume 3 feature inarguably some of music’s greatest singer-songwriters—George Harrison, Jeff Lynne, Roy Orbison, Tom Petty and Bob Dylan—as the iconic band The Traveling Wilburys. Both CDs will be combined into one release, The Traveling Wilburys Collection, and will feature bonus tracks of rare and newly mixed previously unreleased music along with a bonus DVD featuring a 24-minute documentary showing unseen footage of the Wilburys and their five video clips.The Traveling Wilburys collectible packages will be available in four configurations. Each configuration is a remarkable commemoration of this unique group.• Standard Package – Features 2 CDs (Volumes 1 and 3) with bonus tracks, bonus DVD of content and a 16-page collectible book. • Deluxe Edition Set – Linen bound deluxe edition features 2 CDs (Volumes 1 and 3) with bonus tracks, bonus DVD, and a 40-page collectible book with photos, original liner notes, new liner notes and a uniquely numbered certificate of authenticity. • Vinyl Edition – Features 2 vinyl releases of Volumes 1 and 3 with an additional 12-inch featuring bonus tracks, a collectible album-sized book, plus additional postcards/posters. • Digital Edition Bundle – Features downloadable editions of both CDs (Volumes 1 and 3) with bonus tracks, video content and an interactive booklet.The Traveling Wilburys release marks the first time in ten years the product has been issued. Marking the occasion, Rhino Entertainment President Scott Pascucci commented, “We’re honoured to be involved with making the music of this extraordinary group available again.”In trying to explain how the Wilburys originally came together, George Harrison once said, “The thing about the Wilburys for me is—if we’d tried to plan it, or if anybody had said, let’s form this band and get these people in it—it would never happen, it’s impossible. It happened completely, just by magic, just by circumstance. Maybe there was a full moon that night or something like that. It was quite a magical little thing really.” The Traveling Wilburys BACKGROUNDThe Traveling Wilburys was not a carefully planned band, not formed from deep premeditation. Rather, the band was created in a casual blending of genuine friends one ordinary afternoon, which turned out to be anything but ordinary. George Harrison needed a B-side song to accompany a European single release from his widely regarded Cloud Nine album. While in Los Angeles, George approached Jeff Lynne for help with the B-side, since he had co-produced the album. It happened that Jeff was working with Roy Orbison on the upcoming Mystery Girl album. Roy readily agreed to lend a hand in the musical effort. As fate would luckily dictate, George’s guitar was at Tom Petty’s house, and he too offered to join in and make some music. When the group showed up to record, Dylan also lent a hand to help complete the half-finished song George had written. George has often been quoted as saying, “And so everybody was there and I thought, I’m not gonna just sing it myself, I’ve got Roy Orbison standing there. I’m gonna write a bit for Roy to sing. And then, as it progressed, then I started doing the vocals and I just thought I might as well push it a bit and get Tom and Bob to sing the bridge” The final result was a song called “Handle With Care.” George later said, “I liked the song and the way that it turned out with all these people on it so much that I just carried it around in my pocket for ages thinking, Well what can I do with this thing? And the only thing to do I could think of was do another nine. Make an album.” The album they created was called the Traveling Wilburys Volume 1—a playful nod to the reality that subsequent volumes were unlikely. Volume 1 was released in October 1988 preceded by the single “Handle With Care.” The album achieved wide critical acclaim, and most critics agreed that the music was so extraordinary because of the modest ambitions of the band, which translated to a fresh and relaxing sound. Rolling Stone Magazine instantly called it one of the Top 100 Albums of all time. The album also saw commercial success; it reached #3 on the Album charts, garnered double-platinum status and earned the group a Grammy® for Best Rock Performance by a Duo or Group.In 1990, following the unexpected death of Roy Orbison in December 1988, the remaining members reconvened to record Traveling Wilburys Volume 3, dedicating the album to Lefty (Roy) Wilbury. With Harrison and Lynne producing again, both “She’s My Baby” and “Wilbury Twist” became radio hits as the album reached #11 in the U.S. and achieved Platinum success.Track Listings:Disc One TRAVELING WILBURYS VOL. 11. Handle With Care2. Dirty World3. Rattled4. Last Night5. Not Alone Any More6. Congratulations7. Heading For The Light8. Margarita9. Tweeter And The Monkey Man10. End Of The LineBonus Tracks:11. Maxine*12. Like A Ship*Disc Two DVD - The True History Of The Traveling WilburysMusic Videos:1. Handle With Care2. End Of The Line3. Inside Out4. She’s My Baby5. Wilbury TwistDisc Three TRAVELING WILBURYS VOL. 31. She’s My Baby2. Inside Out3. If You Belonged To Me4. The Devil’s Been Busy5. 7 Deadly Sins6. Poor House7. Where Were You Last Night?8. Cool Dry Place9. New Blue Moon10. You Took My Breath Away11. Wilbury TwistBonus Tracks:12. Runaway (B-side to “She’s My Baby” UK CD and 12?)13. Nobody’s Child (previously released on Nobody’s Child: Romanian Angel Appeal)*previously unreleased
Image from roy.orbison.dk
