The Top Ten Albums of All Time By: Shane Christensen

Far off the beaten path...

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Read Shane’s follow up article, Top Canadian Albums.

I have always felt that I had an above average knowledge of popular music, and regularly got my kicks at always being the guy who knew all the answers to those obscure questions you’d sometimes get from people. So at social functions, I was the “go to” guy for any tidbits of musical information someone needed to know to win a bet, or just to prove to someone that they were right about something.

I wore this personal badge of honour proudly, albeit with total humility I might add, and took great personal satisfaction at being such a smarty pants. But every gunslinger meets his/her match, and mine came in the form of a good friend/ fellow drummer (and an extremely good drummer) who amazes me with his musical knowledge.

Amazes me so much, that when it came time to compile my choice for the top ten rock albums of all time, I immediately knew that I had to get my friend, Chris, to give me his thumbs up before I submitted them to Swanktrendz, lest I completely embarrass myself once again.

Method to my madness - if I get universal condemnation from the readership, I can merely point to my pal Mr. Bryen and lament,“Well he said it looked all right, and he’s the man!” Yes, 'true' friends. I can be a real conniving bastard at times.

Anyway, back to the task at hand. I have always wanted to compile a list of the top albums for years, and after many conversations with musically minded friends; discussing the necessary criterion for a piece of work to be considered as the 'best'; I finally have a list that I feel comfortable with.

The criteria for making this list is as follows:

1.) Album must have been critically and/or commercially successful

2.) Must have innovative qualities that changed popular music

3.) Musicianship is so good, it can not be denied as being truly
'exceptional' and 'extraordinary'.

So, without any further delay. My top ten albums of all time.

1.) Revolver The Beatles



This masterpiece of diversity and innovation gave birth to progressive rock and set the standard for true, musical brilliance that these lads had in abundance. R.I.P. John Lennon and George Harrison

2.) Are You Experienced Jimi Hendrix Experience



Jimi was to hard rock what the Beatles were to progressive rock. This album was revolutionary at the time, and so much so that it still stands the test of time. R.I.P. Jimi Hendrix and Noel Redding

3.) Led Zeppelin IV Led Zeppelin



This album would set the standard for rock/hard rock music for the ‘70s and beyond. It’s not my personal favourite Zep work, but it still remains one of the most popular albums of all time. Oh, and by the way. Most critics hated it just as they hated Zeppelin for being a rip off band (Whole Lotta Love-Willie Dixon), and that is why this work doesn’t meet all criterion. But who cares? This album is an absolute monster. R.I.P. John Henry Bonham

4.) Sgt. Peppers Lonely Hearts Club Band The Beatles



Revolver opened up the door of progressive rock, and this album took it to the moon. A perfect body of work in every way, and one of (if not the most) the most influential albums of all time.

5.) Dark Side Of The Moon Pink Floyd



This is another example of Pepper’s-like perfection. The artwork. Packaging. Oh, and I nearly forgot! The music. It still sounds fresh and relevant 35 years later. R.I.P. Syd Barrett

6.) The Joshua Tree U2



Not only was this album commercially and critically successful, it was the most innovative of it’s time. Even to a die-hard fan like myself, I was confused the first couple of listens as it was so different from any contemporary work. But it definitely grows on you.

7.) Boston Boston



This is where I can hear the groans from some of the readership, but think about it for a minute. I remember when this album came out, and it was a monster for a year or longer. Musically, it was as close to perfection as you could possibly get, thanks to Tom Scholtz and his manic determination to “get it right.” R.I.P. Brad Delp

8.) Nevermind Nirvana



Many times in musical history, one album stands out from the collective pack. This is that album. There were a lot of similar bands from the Seattle scene, but Nirvana kicked the grunge door wide open with ‘Smells Like Teen Spirit’, and set the standard for the rest of the decade. R.I.P. Kurt Cobain

9.) Never Mind The Bollocks The Sex Pistols



Oh, oh! Is that more groaning I hear? Again, let’s look back at the time and think about what these silly little buggers did. There were a lot of punk bands all over the place, but this band is regarded by many as “the definitive English punk band” (BBC) and is credited with kick-starting the movement in Britain. I think they might have even killed Disco! R.I.P. Sid Vicious

10.) Saturday Night Fever The Bee Gees



Okay!!! Stop laughing so hard. I know you’re shaking your collective heads and relishing in the fact that I’ve obviously lost it for real this time. But again, I ask you to consider what a profound impact this album had when it was released. I remember clearly as a hard rock disciple that simply loathed the shallowness and superficial qualities of the Disco era. And I remember clearly that these guys were responsible for it. But whether anyone likes it or not, this album was a masterpiece and was very influential and successful. I know many will argue that it is not entirely a Bee Gee’s record, but who’s kidding who here? This was their baby. R.I.P. Maurice Gibb

As a footnote, I’d just to say that I hope you find this list insightful, interesting, and even entertaining. For all the great bands and artists that didn’t make the list but gave us years of great music. Thanks! And for those artists that have left us, you will not be forgotten as you’re still a big part of our daily lives and give much substance and pleasure to it.

Review of the Movie Sicko by Shane Christensen

The other night I sat down to watch Michael Moore’s latest documentary SICKO, which takes a look at the American health care system and compares it to other socialized systems in France, Cuba, and right here in Canada.

It is a typical Moore production that mixes disturbing reality with doses of humour and American self-contemplation. But like a lot of Moore’s previous endeavours, he doesn’t hide his disgust at the state of affairs in his country in which too many times the average person gets the shaft from a cold and heartless system; usually the result of unbridled corporate greed.

He documents this with heart wrenching clarity at the beginning of the film as he introduces the audience to a once typical middle class couple that was living the American dream. They had a nice home and comfortable lifestyle, and raised a few kids along the way. But then they both got sick and ended up losing everything in the process of trying to stay alive, and are forced to move into a small room in their daughter’s home; hence even losing their dignity. And the most shocking thing was that this couple had health insurance!

And in my humble opinion, that is the beauty of this film. I was expecting to see a number of cases relating to poor and destitute Americans who could not afford private medical insurance and therefore suffered because of this. But Moore is a master at knowing how to get the maximum effect from his work and he gets a much bigger bang for the buck by documenting a number of cases of middle-class Americans that do have health insurance coverage, but end up getting swindled by heartless and manipulative insurance corporations that will stop at nothing to save a buck, even if it means that people have to die in the process.



And as is typical in all of his previous movies, Moore takes aim at a number of politicians from both parties that sell their constituents out to the highest bidder, as they line up behind a variety of corporations that are affiliated with, or make their millions from the American health care system. Even though I consider myself a realistic kind of guy, I was shocked by the number of elected officials from both parties that line up behind these corporations to do their bidding. All for the sake of generation campaign contributions.

The saddest and most ironic part of the movie deals with the cases of a group of individuals that worked at ground zero after the 9/11 attacks. While officially there were promises that any person who suffered illness as a result of the after-effects of working in this potentially hazardous environment would be looked after, the reality was that many people were abandoned and simply discarded as they failed to qualify for treatment due to a number of technicalities of one kind or another. So being the showman that he is, Moore charters a boat and sails from Florida to the American base at Guantanamo Bay Cuba with this group of heroes, to try to get the same state of the art medical care for them that the terrorists being housed at the facility get.

Of course there was no way that that was going to happen, but in a further display of irony, his group receives free medical treatment and medicine from the Cuban health care system. The same treatment that was denied at home because these patriotic men and women who gave so graciously to their country at one of it’s darkest moments, didn’t qualify for any number of reasons.

Another typical trait of Moore’s movies is his obvious respect for Canada and our way of doing things in a much more humane way than that in America. He quickly introduces you to a few individuals who receive treatment in our health care system; a system which gets a fair deal of negative press in certain circles over wait times for operations and treatment itself. But after Moore’s examination and comparison of the two different systems, you’re left with absolutely no doubt as to which is the better of the two.

But by the time he goes to France to explore their system, I was actually getting angered and irritated by the blatant disparity that exists between what Americans receive from their health care system as compared to a number of other countries. And I felt this way because there is a lot about America that I admire and respect, and it really bothers me to see innocent people exploited in the name of a dollar, especially when it doesn’t have to be that way. And Moore proves this clearly and graphically in SICKO, while still presenting us with a film that is entertaining and even humourous at times.

But it is also very sad, because it’s obvious that Moore is a proud American who is trying to bring about real and constructive change for the betterment of the American people and nation as a whole, because he believes in the ideals that his nation was founded upon and which propelled it to the stature of world leader. And he should be praised and commended for what he does because there is nothing un-American about that at all, even if he happens to offend many of his fellow citizens by exposing blatant flaws and inequities that exist in the U.S.A.

As a footnote, I’d like to offer my thanks to Swanktrendz editor Terry Lowe who steered this writer straight about some fundamentals of writing. I submitted an initial review that was written immediately after watching this film, and the anger and emotion was still very fresh and more than obvious in the original draft. And the end result was something more of a personal rant than that of a movie review and commentary. So a lesson has been learned; DON’T WRITE MAD! Or at least make sure it's a good read if you do!

Juno movie review by Lezah Williamson

We saw Juno over the Christmas holidays. In fact, Dave liked it so much, he saw it twice.

Juno is one of those films that's many things at once - a comedy, a romance, a drama, a quirky indie-type film - and it does it all well.

I recently read an article in which Juno screenwriter and former stripper Diablo Cody was lambasted for her role in what was being portrayed as a 'new and disturbing trend' in movies promoting teen sex, which in turn, of course, leads to teen pregnancy (which, according to the writer of the article, is on the rise). All I could think, however, was: where have you been, lady? Isn't an all-consuming interest in sex at the very heart of the nature of every teen on the planet - and has been, since time began? I don't really think times have changed; nor have movies, come to think of it.

You see, Juno is more than a Superbad (let's get laid) type of comedy. It's much more thoughtful, much more introspective - despite having a very extroverted young lady as protagonist.

For Juno (played by the lovely Ellen Page) is a person who marches to the sound of her own drum, but does so in a very honourable way. Her individuality is respected by all segments of the population, and those who don't immediately like her are usually soon won over.

And the movie doesn't try to candy-coat life, either. Juno runs into people who don't like her, just because. And she experiences sadness, rejection, emotional upheaval - all the real things people go through in the real world.

Juno, the character, is a great person. Juno, the movie, is well worth seeing. And Juno, the soundtrack, is fantastic, too.

Three out of three - now that's not bad...

Top ten Canadian Albums of all Time by Shane Christensen

Read More of Shane’s Article Here.

Recently, I compiled my choices for the Top Ten Best Rock Albums of all Time, Article can be read here , and unfortunately there were no Canadian artists present. Being the true patriot that I am, I decided that that just wasn’t going to work, and felt I should do a follow up piece which would profile my top ten Canadian Rock albums of all time.

In my earliest childhood recollections, music played a pivotal part in my upbringing and would truly define my very being. And a good part of this music was homegrown, because this country has produced a great abundance of local musical talent.

Some of my earliest musical memories included artists like: Gordon Lightfoot, Joni Mitchell, Neil Young, and of course the Guess Who, as these acts were frequently played on my favourite radio station of legendary status in Toronto, 1050 CHUM. And it wasn’t fan appreciated because of Canadian Content Regulations either, as all of these acts enjoyed huge international success, especially south of the border.

And the one thing I found while writing this article, is that this list was a lot harder to compile than my previous one, and I think the reason is because I do feel a deep attachment/loyalty to our homegrown acts. I am unashamedly proud of the following artists along with those who have furthered followed in their predecessor’s footsteps, and have proven to the entire world that my Canada cradles an abundance of creativity and talent.

As in my previous article (see link above), the criterion remains the same for an album to make my Swanktrendz list.

And this is as follows:

1.) Album must have been critically and/or commercially successful

2.) Must have innovative qualities that changed the production/approach of popular music

3.) Muscian and technical work is so good, it can not possibly be denied as being exceptional

But the difference in this list is that I’m going to add a fourth criteria, as follows:

4.) Noted album must have had a profound impact on the Canadian music industry

My choices for the top ten Canadian albums of all time are:

1.) Harvest Neil Young



Neil had already achieved notable success in the U.S. with Buffalo Springfield and CSNY, but this album was an enormous critical and commercial success that put him on the map as a solo artist, and as being uniquely Canadian, at that. I always felt that our music is a reflection of our national conscience, heart, and soul. Neil embodies all of that - and so throughly, he continues this Canadiana embodiment right through to the present day. He is our national treasure of whom we are all proud.


2.) Court and Spark Joni Mitchell



Many fans and critics would have picked the album Blue, but I’ve always preferred this offering. With smash hits such as Help Me and Free Man In Paris, this work firmly entrenched Joni as one of the greatest musical acts of the day. Even Jimi Page and Robert Plant were huge fans, and their classic song Going To California is believed to be penned for or about her. Not bad for a beautiful lady from Saskatchewan. Her innovation and originality, as well as the fact that she was a great inspiration to a whole generation of young women, provides more than enough reason to place this album so high on my list.
(Editor’s note - I agree! Same for Town & Country)
3.) Moving Pictures Rush

Although they had achieved a fair amount of international success, it wasn’t until this album came out that Rush was looked at with the level of respect that they truly deserved. Musically, they took it to a whole new level with songs like Tom Sawyer and Red Barchetta which propelled the band’s sales to dizzying heights, especially south of the border. Without a doubt, these guys are the best technical musicians this country has ever produced, and the work on Moving Pictures was second to none.

4.) Road Apples Tragically Hip


I can still remember the first time I heard a couple of tunes off this album in a Belleville, Ontario, bar; waiting to go on with the band I was in at the time. During the intro tunes, I rushed over to the deejay to inquire, “Who the hell is that?”, then immediately went out and bought the disc the following morning. I didn’t stop listening to it for months, and it’s still in regular rotation in my house and car. Quite simply, a great album from start to finish.

5.) Self Titled Tom Cochrane and Red Rider



The first song I heard from this album was Ocean Blue, and it immediately blew me away. But shortly after hearing The Untouchable One and Boy Inside The Man, I was again off to the record store and was thrilled to find out that this was indeed one of those special albums. One of the ironies of life is that while this very strong album did well, his ’91 release Mad Mad World would garner unprecedented critical and commercial success due to the popularity of the lead single, Life Is A Highway. And it couldn’t have happened to a nicer guy. Of special note is Ken Greer’s contribution both to this band and Canadian music in general with his help in launching that band out of Kingston way back in ‘87.

6.) Fully Completely The Tragically Hip



The Hip had achieved a fair amount of success by the time their third full length album was released in ’92, and Fully Completely would propel them to their present status as probably THE number one Canadian band of all time, although many Rush fans would obviously disagree. But the Hip did what Rush never could, and that was to place itself firmly in the Canadian psyche of an unprecedented number of fans, so much so that they have undoubtedly become indelibly connected with all things Canadian.



And on Fully Completely , songs like Wheat Kings and Fifty Mission Cap brought the music production industry to a whole new level, and there it has stayed since this album’s release.

7.) American Woman The Guess Who


Driven by the huge commercial success of the title track, this album solidified The Guess Who’s position as the top Canadian band of the time. In many respects this also marked the pinnacle for the band, as although they still enjoyed commercial success after Randy Bachman’s departure, the critical and commercial level of success was never duplicated to the level they attained upon the release of this, their third album. But these guys were definitely trailblazers for Canadian music, as they paved the way for all the other Canadian acts who followed in their footsteps.

8.) Reckless Bryan Adams

Mr. Adams became a household name in Canada after the release and phenomenal success of this album back in ’84. It spawned a total of six hit singles, and included the raunchy It’s Only Love duet with the best legs on the planet, Tina Turner. He would go on to have more record breaking success in the early ‘90s with one of the biggest singles of all time, (Everything I Do) I Do It For You , which spent an astounding 4 months at #1 on the UK record charts. And he’s still maintained his nice guy personality through all the fame and fortune, which just makes it extra sweet. I guess nice guys can finish first after all. Way to go Bryan! You da man!

9.) Come On Over Shania Twain

I know some of you are immediately asking yourselves, “Isn’t this suppose to be the top Canuck rock albums list?” And that is one of the reasons for this albums placing in the top ten. Sure it’s sold over 35 million copies worldwide, and that qualifies as the biggest seller album ever by a member of the fairer sex. But when you look at the track listing, you have to really question how much of this record is country at all. Like a lot of great artists, Shania is capable of bridging and fusing musical styles and genres from song to song, and that’s a major reason for her massive appeal and success. If I ever come across a genie in a bottle, my only wish is that I should be turned into Robert “Mutt” Lange immediately. The luckiest guy on the whole planet!

10.) All The Right Reasons Nickelback

I know there is a lunatic fringe that exists that hates anything or anyone that is super-successful, regardless of whether they deserve this success or not. And Nickelback seems to be one of those bands that just doesn’t get the critical respect they deserve.

Case in point; This album has sold over 6.5 million copies in the U.S. alone, and has never been below #30 on the Billboard Top 200 for over 103 weeks. Only Shania’s Come On Over has a longer run that high on the charts, as it stayed over 123 weeks in the top 30. And it’s kind of funny that both artists get slagged or disrespected by some because of…what? I don’t understand it, ‘cause in my mind they are both great artists that have produced top quality music that millions of people enjoy. And I’m sure they both take great pleasure in that fact, and it helps to drown out the sounds of the naysayers who take ‘offense’ from their enormous accomplishments.

I happen to be very proud of what Nickelback has done as they’ve proven to Canada and rest of the world that great things come from the smallest of places…even Hanna, Alberta (population 2500). Well Done!

Welcome to the Land of Light Contributed by Terry Lowe

On a cold late-December afternoon, I went for a bike ride along the Vancouver False Creek seawall. Stopped for a smoke, looked around, and found a surprising piece of public art in front of me. A sequence of metal words, bolted to the fence between me and the sea, in both English and what appeared to be a First Nations language. I started to read, and soon found myself reaching for my notebook and pen.

This section of seawall is a promenade with separated cycling and walking paths, built as frontage for a rampart of condo towers. This area was a toxic post-industrial wasteland 20 years ago, and most of the current condo-tower infill has been built within the last five years.

This city’s red hot real estate market has led to much consumer speculation in those years, with people lining up by the hundreds (if not thousands) to buy a slot in one of those towers, with no plan to actually live there, but rather sell it in a year or so at great profit. Around here there are worse strategies to make money, and many people have indeed realized great profits by riding this boom.

It does, however, lend a rather temporary feel to what’s been constructed. There are many boutique bistros and coffee outlets at ground level, but not much else. Tellingly, this particular area is becoming known as “Falsetown,” given its location on False Creek, and because there is no apparent sense of community there, apart from a transitory one built on cost per square foot and resale value.

No one I know wants to live there, but cyclists use it because it provides a car-free route from point A to point B, although it’s a route defined by convolution, and often clogged by dog walkers.

The city requires real estate developers to devote a tiny percentage of their overall budget to public art, and this is what I was seeing here:

       Greetings good you arrive here where light be under land

       Future it be now 

      Here you begin live like new

       Come to time where people talk different but good together

       If you heart mind open you receive new knowledge

       You have same like electric eye and heart mind and talk sound

       You live fast like light

       See talk be here there and everywhere at one time

       Us make this community good indeed

       You not afraid here

       Here you begin live like chief

       World same like in your hand

“You have same like electric eye?” What does this mean? Who made this? I went over to the condo developer’s office and asked. They called me the next day (people will tell you a lot if you just ask them to), and directed me to the City of Vancouver’s web site, Public Art section.

There I found that the artist’s name is Henry Tsang, that he was born in Hong Kong and raised in Vancouver, and that what I thought was a First Nations language was actually an almost extinct 19th century pidgin called Chinook Jargon.

The artist states:

Welcome to the Land of Light is a contemporary monument to the relationship between those who have lived on the False Creek waterfront and those who will arrive in the future to call this area their home. For the artist, this public art project is about the concept of home, the building of community, and with the aid of interactive fibre-based technology, the creation of a new world to experience.

“Interactive fibre-based technology?” Yes, indeed. There’s a thin ribbon of fibre-optic cable embedded in the concrete beneath the aluminum railing. If you view the piece at night, this ribbon glows and slowly changes colour.

... where light be under land ...

Here (where light be under land, where people talk different but good together) we’re still waiting for those who will arrive in the future to call this place their home. The installation of this piece that “addresses the concept of home and the building of community” on the artificial Falsetown seawall is an interesting gesture from a very clever artist.

Memorable Quotes of 2007 By: Lexidiem

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The envelope please...

The Yale Book of Quotations is an annual list of memorable quotes that is compiled by editor Fred Shapiro, who relies on suggestions from quote-watchers, along with his own choices, and then searches databases and the 'Net to determine the popularity of the quotes.

The ten most memorable quotes of 2007 according to Shapiro are, in order, and the #1 Memorable Quote of the Year is:

1.Don't tase me, bro!Don't tase me, bro!

~ Andrew Meyer, a senior at the University of Florida, while being hauled away by campus police during a speech by Massachusetts Senator John Kerry. It was the plea heard round the world as officers removed him from a speech by Senator Kerry.

Yale Book of Quotations editor Fred Shapiro said that the quote by Meyer just before he got zapped by campus police while protesting at Senator Kerry's speech was "a symbol of pop culture success," thanks to how many times it was searched for on Google and how many T-shirts it showed up on.

2. I personally believe that U.S. Americans are unable to do so because some people out there in our nation don't have maps and I believe that our education like such as in South Africa and Iraq and everywhere like such as and I believe that they should our education over here in the U.S. should help the U.S. or should help South Africa and should help Iraq and the Asian countries so we will be able to build up our future for us.~ Lauren Upton, South Carolina contestant in the Miss Teen USA contest, when asked why one-fifth of Americans cannot find the United States on a map.

3. In Iran we don't have homosexuals like in your country.~ Iranian President Mahmoud Ahmadinejad, speaking at Columbia University in New York.

4. That's some nappy-headed hos there.~ CBS radio personality Don Imus, referring to the Rutgers University women's basketball team.

5. I don't recall. ~ Former Attorney General Alberto Gonzales' repeated response to congressional questions about the firing of U.S. attorneys.

6. There's only three things he mentions in a sentence: a noun and a verb and 9/11. ~ Senator Joseph Biden, referring to Republican presidential candidate Rudolph Giuliani, speaking during a Democratic presidential debate.

7. I'm not going to get into a name-calling match with somebody who has a nine percent approval rating.~ Senate Majority Leader Harry Reid, a Democrat, referring to Vice President Dick Cheney.

8. (I have) a wide stance when going to the bathroom.~ Senator Larry Craig, explaining why his foot touched the foot of an undercover police officer in the men's restroom of an airport.

9. I mean, you got the first mainstream African-American who is articulate and bright and clean and a nice-looking guy. I mean, that's a storybook, man.~ Senator Joseph Biden, referring to Senator Barack Obama, a rival Democratic presidential candidate.

10. I think as far as the adverse impact on the nation around the world, this administration has been the worst in history.~ Former President Jimmy Carter, referring to the Bush administration.

Bonus 'Perfected' Quote:

There was one truly memorable quote that was made in 2007 that I was disappointed to find had not been included in this year's edition of the book. This one came from the October 8th television broadcast of The Big Idea With Donny Deutsch on CNBC, and included a lively dialogue between the host and his guest, a well-known conservative commentator, columnist and best-selling author:

* We just want Jews to be 'perfected,' as they say. ~ Ann Coulter, who went on to explain her viewpoint that Jews ought to become Christians.

Deutsch, a practicing Jew, said he was personally offended by Coulter's remark, and she tried to defend herself.

"I don't want you being offended by this. This is what Christians consider themselves, because our testament is the continuation of your testament. You know that. So we think Jews go to heaven. I mean, [Rev. Jerry] Falwell himself said that, but you have to follow laws. Ours is 'Christ died for our sins,'" Coulter said. "We consider ourselves perfected Christians. For me to say that for you to become a Christian is to become a perfected Christian is not offensive at all."

And of course she had to mention the late Jerry Falwell... and you can see an interesting animated of him 'perfected' in this parallel posting.See the YouTube video here.

After seeing that, you might enjoy this video where Philadelphia's own Leah Kauffman, the voice behind "I Got a Crush on Obama", performs in the music video "Perfected" which is probably the best jab in Ann Coulter's ribs that I've yet seen.

The Dudes: Online Interview With Calgary's Dan Vacon By: Christine Albrecht

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I happened upon The Dudes last September (2007) while I was at the Commodore Ballroom to review Hot Hot Heat’s latest gig. The Dudes opened for HHH and their high energy set immediately got my attention, as well as their stage antics and both their serious and hilarious (yet rockin’) song selections.

The Dudes are: Dan Vacon - frontman, Bob Quashnick - guitarist, Jon Hopkins - bassist and Scott Ross - Drummer. Scott Ross’s drumming and Dan’s entertaining observations and solid performance had me taking notes in order to write a quick observation which you can read here

I asked swanktrendz contributor, Shane Christensen, to quickly jot down some ‘fun, tongue-in-cheek’ questions for me to forward to The Dudes for answers. Then I proceeded to myspace.com to dutifully nag/stalk the dear fellows to answer our online questions while they were busy on tour overseas. Being ever the good sport, Dan Vacon took the time to offer up some answers. Enjoy!

Dan/The Dudes: All right let’s do this thing, (finally).

Swanktrendz: You’ve made great use of the internet and seem to have garnered a loyal fan base using this medium. So my first question is borrowed/stolen from a fan who asked it on your myspace.com site... What would you prefer, a great song or a great gal?

Dan/The Dudes: Strange question. A ‘perfect gal’ I suppose. Falling in love is good for about 2 perfect songs and also some medium songs. The subsequent break-up will spawn some musical gems, too.

Swanktrendz: Staying in that context, I noticed you have a lot of loyal female fans.on your myspace. Did you guys take any cues from recent (ahem) ‘boy bands’ in attracting the gals, or is your animal magnetism too much for the fairer sex to withstand?

(Also, Dan mentioned in the Vancouver show that there are no ugly girls here. True, or just major ass kissing on his part?)

Dan/The Dudes: I didn't notice we had all that many girl fans. It’s funny considering we’re ugly as sin. Girls are into moustaches I think. It’s like some sort of reverse oedipus thing. Maybe we remind our fans of that one cool uncle they had. The one that was always sneaking them highballs at family get-togethers. And yeah, I was kissing ass. I saw some ugly girls in Vancouver, but none of them were The Dudes fans.

Swanktrendz: Do you enjoy the interaction the internet allows you to have with your fans, and how do you follow up that interaction while on tour?

Dan/The Dudes: I love talking to fans on the net. I don't know what onerous means, but if it means too much trouble then no effing way. Tour diaries are getting hard to keep up with, though. I'm constantly trying to keep up, pay attention to everyone's jokes and write songs on the road and feel my different feelings at the same time. I have a few I'm sitting on. Yeah it’s hard.

Swanktrendz: You’re website is impressive both for the sheer volume of info available and for the individual band members’ input. During your live shows, the band has great interaction with the audience (as Christine had the pleasure of witnessing in Vancouver recently). Are internet/live interactions something the band naturally enjoys, (as it appears), or is it something you look at as a promotion necessity?

Dan/The Dudes:Yes ma'am (to Christine), we have a helper that takes care of our website. He can be a bit of a wanker but he's super helpful. We just got back from our first UK trip yesterday, so I'll be saying things like wanker for a while.

Rock shows are sort of like giant group dates. You can't just tuck your shirt in, bring a gal flowers and hope she'll sleep with you. You have to show her you're a real person with emotions and opinions and jokes. At first, talking to the crowd was hard. It reminded me of leaving a message on someone's answering machine. Whatever you say counts immediately and you can never take it back. Unless of course, you break into her apartment and steal the tape. But that's illegal and difficult. Just like rock and roll?...

Swanktrendz: This latest tour is taking you literally across the entire nation and overseas, and it’s very ambitious in the amount of shows played. Is this something the band encourages, or do you have the manager from hell?

Dan/The Dudes:It’s just the reality of being in a rock band. Like it or not, you've got to spread the music around. You can only be the local hero for so long before it’s like, Damn... is this all there is? We like it though. Every rock show is a gift... except the ones in Winnipeg.

Swanktrendz: You’ve been around since ’96, and toured the country extensively during the last 11 years. Do you find you have favourite parts of the country to play now and (if so) expand on that a bit if you can. (How’s the reception in the East, as opposed to the West?)

Dan/The Dudes:The Dudes do really well on the coasts and not so well in the middle. I can't really explain it. Victoria, Vancouver, Halifax are amazing. Winnipeg is a major bummer. Actually, everywhere is great... except Winnipeg. Winnipeg is an idiot. I hate Winnipeg. My favourites are Victoria, and Halifax, and home... And Toronto... and Spain... and Bayfield.

Swanktrendz: How’s the internal band chemistry during such exhaustive tours? Do you get on each other’s nerves being stuck together in cramped quarters for thousands of miles?

Dan/The Dudes: Yeah. We're pretty manic on the road. It’s all, "I love you, man" then later, "I hate your face." Rock keeps us together though generally. I could tell you 3 things I can't stand about every dude, but also 25 things I love about them. We're a good crew.

Swanktrendz: : How about egos? Scott recently won his Bucky from CBC Radio 3 for the best facial hair. Does that create any competitive ‘stache dynamic in the band, and/or is that a good thing?

Dan/The Dudes: I hate Scott for having a way more kick ass 'stache than mine. Bob, too. But my 'stache has a special message. It’s like getting a gift from an orphan who spent all his vitamin money for it. It means way more than a diamond ring or a bread maker or something from someone who can afford it. Do you know what I mean? My moustache is worth an orphans’ vitamin money.

Swanktrendz: You all seem to have a wicked sense of humour, whether it’s in the videos or at the live shows. On the longer tours, do the guys pull pranks on each other as a means of dealing with the monotony of touring great distances? Any you can share, or is that privileged info?

Dan/The Dudes: We've never been prank pullers really. We just make jokes. You get up early, half drunk still and start looking for the comedy. That's how to stay sane.

Swanktrendz: The videos for Do The Right Thing and Drop-kick Queen of the Weekend have a Foo Fighters kind of humour to them. Would you credit the Foos with having an influence on the band (musically/videos) or is it a mere coincidence? (Bob even looks like Dave Grohl).

Dan/The Dudes: Scott really likes the Foos. I think they're pretty effing good. I don't think they influenced our videos though. comedy is just important to us. to life in general. I like Richard Pryor.

Bob and I learned guitars together in high school, and we just played and played. Eventually it sounded all right. Scott cut his teeth on teen emo/punk things. I sang in the Calgary Boys Choir. That formal sort of stuff. I write the lyrics (Dan). I consult the boys, though. I say stuff like, "Is this retarded?" or, "What's funnier, she shoved bread in my face, or got red in the face?" That sort of thing.

I hope this answers everything, Christine. thanks for being patient and interested.

Dan.

The Dudes latest offering is entitled Brain. Heart. Guitar.It is available in Canada and is due out in early 2008 for Europe. Click this Link to check out their music and tour schedule.

One Four Seven Recordswill be handling their UK and European release/ gigs. Swanktrendz wishes The Dudes success with the upcoming European introduction to Brain. Heart. Guitar. I am sure The Dudes will quickly attract a devote following with their entertaining show.

Seether's Fake It Video

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Seether Fake It Video

Ani Kyd and Guests at The Cobalt, December 15, 2007 By: Christine Albrecht

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On December 15th, I was invited to the Cobalt Hotel to celebrate Rob Schindel’s birthday. Rob’s better half, Ani Kyd, had arranged Rob’s birthday festivities as well as the evening’s entertainment which included several of Vancouver’s celebrated underground musical artists.

The evening opened with Ani’s son, Michael Kyd, performing an acoustic set. Michael’s act is entertaining especially because of his self deprecating, witty lyrics. His songs are performed in a ‘confessional/ narrative’ style; serious, contemplative lines countered with amusing statements like, ‘…but I just beat a twelve year old girl… in swimming.

Next in the evening’s line up was Dirty (Derek) Swagger performing his songs with a Johnny Cash/ Kenny Rogers country flavor.

Mr. Plow was third on stage and hilarious from start to end. His tunes’ titles, alone, are amusing: ‘Let’s Get Fat Together’, ‘Biscuits and Gravy’, and ‘Fuck DOA’. Anyone who can work the lyric ‘Feel my girth’ into a song, deserves a listen. I also feel his songs are so quick with the one-liners and innuendos that one would have to listen to his act several times to catch all the inside jokes (and it helps if you’re over the age of thirty, or very well read, to catch the cultural jabs).

Understandably, I got a couple of ‘Are you for real?’ stares when I asked who performer number five was. “Cummings? Is that with a g?” I inquired. Then it clicked. The fellow crooning in his best Elvis voice was none other than Jim Cummings of I, Braineater. I apologize everyone, but I haven’t seen the fellow since the ‘80s, and believe me, we have all changed considerably since then. His voice is like a fine wine and has improved with time.

Gerri Jen Wilson of JP5, Spank Machine etc., took the stage for her first solo venture. She started her set with ‘These Boots are Made for Walking’ and ended with the Rezillos’ ‘Somebody’s Gonna Get their Head (Kicked in Tonight)’ . She sounded great and looked very comfortable without any bandmates to accompany her. Perhaps we will be seeing more of solo-Gerri in the future?

Then our gal of the moment, Ani Kyd, took the stage as the final act. Her acoustic set was definitely an interesting take on her usual hard-driven songs. Creepy Feeling, 13, and Rejoyce adapt very well to an acoustic venue, but I was very surprised (and pleased) with the softer offerings of My First Kill and Erase. The acoustic vibe allows the focus to fall on Ani’s vocal range, especially with Erase. I think Ani should record and release a disc of acoustic tunes (with a mixture of new and old) as she may find herself with a different, yet still homogeneous, fan base.

It was a fun evening full of musical surprises. Well done, Ani, and happy birthday, Rob.

Interview With Seether (Dec 11/07) Part TWO By: Shane Christensen

Interview With Seether (Dec 11/07): John Humphrey Drummer Part TWO

By: Shane Christensen

If Zeppelin goes on tour I’d give my right arm to play a show and open for them. John Humphrey

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Due to the length of my interview with John Humphreys, this is the second of two parts.

The first part can be found at Seether Part One

Seether is already famous for a few non-musical items that I won’t go into because it’s been written to death, but this band could rival Def Leppard for surviving personal pain and calamity amongst its members, and for this they have my admiration and respect.

A special Swanktrendz thank you goes out to Lisa Pieterse at WindUp Records Canada, for her efforts in organizing this phone interview with Seether.

Swanktrendz,ST-

ST- Would you say the band members share a similar taste in music, or is there a wide divergence of music that you’re into?

John Humphreys, JH- I think there’s a little bit of a divergence there. I appreciate the Seattle sound with bands like Soundgarden and Nirvana, but I was more of an ‘80s kid. By the time those bands were out, I was already with the Nixons and those guys were more like my peers as I was trying to do albums and records and compete with the quality of those bands, or along those lines. My influences go further back to bands like Led Zeppelin, Van Halen, or Motley Crue and I was into that style and flash which I hoped I’d bring to the band. I also appreciate the early ‘90s which was when Shaun actually picked up the guitar, and I had already been playing about 10 years by then.

ST- How did you find working with Howard Benson as a producer?

JH- Magnificent. He’s a great guy and he was about the quality of songs. Shaun wrote a lot of material - close to 60 songs - and everybody had their input. Then we helped narrow the 60 songs to 15, and 12 ended up on the CD. Howard really brought out a lot in us and helped us to trim the fat, shape the songs, and arrange the result. Some of the songs, arrangement wise, were recorded completely different and then changed in post production. He (Howard) also added keyboards and a lot of ‘colour’ to the CD. A song like Breakdown had Howard adding a keyboard line to; he also suggested Shaun play sitar on the song Don’t Believe. He brought an interesting dimension to the band and helped us grow a lot. I really appreciate his ability as a songsmith and I feel he brought the ability to our project.

ST- Do you have any personal favourites on the album?

JH- I do. It changes from day to day sometimes as I really like the whole album, but Walk Away From The Sun is one of my favourites as well as Eyes Of The Devil, which actually was one of the first songs written as the band was playing. Shaun started playing the riff and Dale and I just sort of jumped in, whereas with other songs Shaun would have a demo with a drum machine on it and give it to us. Then Dale and I put it through our ‘filter’ (along with Shaun) and ‘out comes’ the song with a Seether feel. Eyes Of The Devil was completely organic. It is an interesting song because it occurred during a natural process of literally playing/jamming and the music just evolved into a song - that same day.

ST- As a drummer in the studio, do you have a lot of musical input as far as the songwriting goes? I know Shaun writes the lyrics, but is it a band effort for the music?

JH- Musically, Shaun is very open-minded and I, as the drummer, can have carte blanc to do anything I want. I just keep it tasteful and, like earlier when I was talking about Dave Grohl, importantly - I try to support the song. The role of a drummer in rock music is laying back and supporting, and carrying the song to make it flow and provide the tempo and feel that is very important. But it’s not about flash or ‘pulling off your cool fill’ of the week. It’s about supporting your song and making it the best it can be. I’d like to think I’ve been a part of a lot of great songs during my career.

ST- I agree. When you can find the balance of drums, guitar, or any instrument - and someone like Jimi Page or...? Led Zeppelin did it well- that is the goal of any great band. Seetherdoes this well, and in listening to your last album, I hear a diversity that joins songs with a harder edge such as No Jesus Christ and Don’t Believe, with radio-friendly songs like Breakdown or Rise Above This and they’re all great songs.

JH- Believe it or not, it wasn’t premeditated. I mean it wasn’t like we needed so many singles or anything. Again, I have to credit Howard as it was just choosing the ‘best’ songs, regardless of whether they’re heavy or mid-tempo, just as long as they’re ‘great songs’. And I’m really proud that we do have some good songs here.

ST- Even though I’m not a big fan of reviews, while researching Seether I came across a Rolling Stone review… Are you aware of it?

JH- I am, I am.

ST- When you or the band sees or reads something like that, what is your reaction? Do you just kind of let it roll off your backs, or does it piss you off?

JH- I think it’s a bit of a thorn in your side, and it sucks. I mean, let’s be honest, we’re human and that kind of thing sucks, but it’s kind of weird ‘cause what other business
can you pour your heart and soul into a project to complete an album and have it critiqued by the world?. I appreciate all the opinions, but there’s a million different people, with that many different views. I can’t hold too much faith in that magazine, sometimes.

ST- I question his actually listening to the CD as there’s no merit in what he’s saying. He was writing anything because your CD is a is a full album, with no filler tracks at all.

JH- I agree, not to sound arrogant, but I feel strongly about our CD, even though Rolling Stone begs to differ. I’ve written songs and I’m a big music fan myself. We’re hardest of all on ourselves; as musicians and artists. We will not turn out something that wasn’t the best work we felt we’d done at the time.I don’t sit around. listening to my Seether, patting myself on the back, but I am proud of this CD. I can go to bed at night saying we did a really good job.

ST- I totally agree . My final query, John,is a question that Swanktrendz asks all successful artists - such as yourself: ... Are there any lesser known bands that you enjoy and appreciate, bands you’d like to mention them so they may receive better audience awareness?

JH- Actually, there’s a brand new band that’s from Oklahoma, where I hail from, and I’m going to start producing them. They’re on my friends list on Myspace. They’re a great bunch of guys, called Stone Cold Sober. They’re an unsigned band with pretty good songs, and I’m going to try to help out with a little of my experience so that they don’t have to make the mistakes I did. I always like being able to help, and this is a band that I think is pretty cool.

ST- Excellent. We’ll provide a link to Stone Cold Sober.

Visit Stone Cold Sober

Also, I appreciate, and want to thank you for your time, John, as I know you’re a busy fellow. Enjoy the rest of the tour, and I look forward to seeing Seether in Oshawa in January.

(Shane's Note:) As a footnote to this piece, I’d just like to say that there’s a perception in certain circles that rock artists (especially hard rock) are lazy, not too intelligent, and often self medicated, while writers are the complete opposite of the work ethic spectrum. John Humphrey and the other members of Seether are reasons why such generalizations are unfair. Seether works harder than most ‘working people’ would ever dream of. On the other hand, Brian Hiatt’s Rolling Stone review of Seether’s recent album is an embarrassment to music reviewers, fans, and musicians. Yet the Seether article is not alone, too many times I have wondered the reasoning behind similar articles that were off the mark. I suppose The Rolling Stone is no longer a member of the school of responsible journalism, choosing self importance/promotion over musical inquiry and substance. A new affiliate for the grocery store tabloids.

Photo from http://www.glam-metal.com/seetherint.html

Back to Seether Part One

Interview With Seether (Dec 11/07): Part I By Shane Christensen

Interview With Seether (Dec 11/07): John Humphrey Drummer Part One

By: Shane Christensen

Behind every great drummer is an awesome mom, and an awesome wife. John Humphrey

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This Article is written in two Parts, the second part can be found here Seether Part Two

I used to be a faithful reader of Rolling Stone back in the ‘70s because the magazine was cutting edge and very relevant at that time for those of us whose musical palette ran the entire spectrum, including fringe or obscure acts. But even then, I noticed there was an elitist and snobbish tendency in reviewing albums, especially if the band in question did not fall into their idea of the cool or politically appealing acts like Springsteen or U2. ( My idea of any fair review is to give the disc a day's worth of listening, even if it kills you.)

Image from www.glam-metal.com

So as I did my research for a Seether phoner interview with their drummer John Humphrey, I wasn’t surprised at what a terribly biting and unflattering review their new release, Finding Beauty In Negative Spaces, received from the rag/mag. And as an ongoing supporter of the underdog, I was truly hoping that I would (at the very least) like something about their new album. I have always felt bad reviews can be a result of ulterior prejudice/motives or even the jealousy of a fellow musician who just didn’t make it; who hates anybody who is on their way to fame and fortune.

I was pleasantly surprised upon the initial few listens, realizing this would be an album that wouldn’t kill me to listen to, which makes the whole process a lot more enjoyable.In fact, I like their music very much. I state this based entirely upon their most recent release, Finding Beauty In Negative Spaces, and the previous album Karma and Effect. I have only heard a couple of cuts from their first release Disclaimer, but something tells me it will be under the Christmas tree.

Seether is already famous for a few non-musical items that I won’t go into because it’s been written to death, but this band could rival Def Leppard for surviving personal pain and calamity amongst its members, and for this they have my admiration and respect.

Heading into the interview, I have to admit I was excited because I’m a drummer and I think John is incredible at his craft. I would compare his talents to those of one of his predecessors in Seether, Josh Freese, (one of my all time favourites in his work with A Perfect Circle.)

In speaking with John, it was evident that he is a true rock journeyman; dedicated member of the band, who enjoys the current ride Seether is on with the hit songFake It and album.

Due to the length of my interview with John Humphreys, this article will be read in two parts. As well, A special Swanktrendz thank you goes out to Lisa Pieterse at WindUp Records Canada, for her generosity and effort in organizing this phone interview.

Swanktrendz,ST- Thanks for taking the time out of your very busy schedule to speak with Swanktrendz, John. It is appreciated. How is the tour going for you?

John Humphrey, JH- It’s going great. We started back in August, about 3 months prior to the release of the album in the States, supporting Breaking Benjamin and Three Days Grace. We had been off the road and away from touring for about a year and we just wanted to get out and play, and that support position seemed like a great opportunity to get in front of some people who are also our fan base, as well. Those bands were a great match with good crowds to play to. That tour ended November 19th, and now we’re headlining our own shows here in the States. We’ll break for the holidays, and then we’ll be up in Canada with Three Days Grace starting in January.

ST- Are you looking forward to a month off?

JH- Yeah, absolutely. We’ve been hitting it hard for five months and a three week break is a well deserved break and holiday which gives us the chance to go home and see our families.

ST- I had read on the internet that you toured with the Nixons (previous band) upwards of 300 shows a year?

JH- Yeah. That was kind of my foyer into the music industry, my baby years, you know? I really cut my teeth with that band. I joined the Nixons in ’92 and was with them 8 years through to 2000. They were similar to Seether as far as the music genre but we lived the work ethic of a road band who lived out of our suitcases, and who played 200 to 300 shows a year. It’s the same effort with Seether, you know? So I was used to the work ethic when I came to this band.

ST- Was that one of the things that Seether was looking for when you came on? That commitment to the road?

JH- Absolutely. They want not only a qualified musician, but someone who was compatible with the mentality that Seether is a road beast that lives out of suitcases. We like being in the studio and making albums, but our thing is taking it to the people, living on the bus, and hitting the road. I think that’s a constant philosophy throughout my early life and background, and I think that attitude helped, along with my ‘around the block’ experiences. Having to speak a couple of times, kind of helped my position, too. Some musicians are a little green and haven’t done this type of questioning and really aren’t used to the rigours of it all.

ST- On a personal level, how does being in such a hard working band affect a marriage? Or do you have a very understanding woman?

JH- (Laughing) Yeah, absolutely, man. Behind every great drummer is an awesome mom, and an awesome wife. My mom put up with the ‘wood shed’ years with my rehearsals in the shed and the garage, and my wife is absolutely supportive. She knows that music is a big part of me as a person, and my kids are my biggest fans, and biggest fans of this band. They’re wonderful to have and are very supportive as well.

ST- Do you find during the shows now, because of the success of the single Fake It,there’s a reaction from the fans?

View Seether Video here courtesy of WindUp Records Canada

Watch' Seether's Fake It Video

JH- You mean an immediate reaction as we’re playing it live?

ST- Yes, exactly.

JH- Yeah, definitely. When we started in August, the song was obviously just starting in radio, so it’s been interesting to watch the evolution and familiarity of the song as it becomes a high point for the fans. Now when we kick off that bass line, it’s immediately recognized and there’s that instant crowd response. Back in August, the response was a little slower, but now it’s definitely the show stealer and it’s been great to really watch that song grow up.

ST- I guess it’s picking up steam the longer the song and video are charting?

JH- Yeah, absolutely. It’s done well and I’m really proud of it as I think we’ve done a video that fits the song really well. I think it’s the first time that a song and video have come together like that for us and where the interpretation for that song is put into the video. I think fans and people have really responded positively to both the song itself and the video that provides the perfect meshing. I think the song has triggered something.

ST- How has the band dynamic changed playing live, now that you’re a 3 piece? Is there a big difference?

JH- Yeah, it’s a lot of fun, and I think it sounds great. There’s not a lot of 3 piece bands out there, so I think it’s interesting. We go back and forth about bringing on a guitar player, but we’re having a lot of fun being a 3 piece so we’re not too sure if we’re going to do that or not.

ST- I had read recently that Shaun was considering adding a second guitarist for the live shows. Are there any concrete plans to do so right now?

JH- No, not concrete. But we’ve definitely kicked it around and there’s guys out there we’re considering. In fact, we’re going to be talking about it tomorrow at a band meeting, and figure out what we’re going to do.

ST- Is there a chance that Pat Callahan might return to the band?

JH- I don’t think so. I think he is much happier now.

ST- I’d like to talk about your drumming influences going back to when you first started playing. Who would you say were the guys that inspired you to drum?

JH- I was definitely influenced by the ‘80s era of music and concerts back then. I really dug the big shows and presentations that had the drummers that you could see visually all the way to the back of the arena. It’s drummers like Tommy Lee, and I love guys like Tommy Aldridge that I saw way back when with Whitesnake. *I really love Dave Grohl, but it took me to when he started playing with Queens of the Stone Age on the album Songs for the Deaf to really appreciate him as a drummer. I do understand that as a drummer he was supporting the music, playing great fills, driving the great melodies and songs that Cobain was writing. When he did the Queens of the Stone Age album, he kind of went off a little bit and showed his skills and abilities, and I became a fan of his.

ST- Along those lines, have you been following any of the Zeppelin clips that were on YouTube today?

JH- (laughing) I haven’t, but I’m a huge fan of Jason Bonham. In fact, back in the Nixon days I was fortunate enough to do a few shows with him as he had a band that was doing Zeppelin covers and stuff, so seeing him doing that, it’s really amazing. I hope they follow it up with a tour ‘cause somebody asked me the other day What would be your dream tour? and I never thought I’d have the chance to say it, but if Zeppelin goes on tour I’d give my right arm to play a show and open for them. Although I’m sure they have enough material that they could probably handle the whole night all by themselves.

the second part can be found here Seether Part Two

Suedehead (In Memory of Andrew) By: Lezah WIlliamson

Yup, that's me. I'll answer to whatever you want to call me: Suedehead, Baldie, Chrome-domus, Stubby, Skinhead... The list goes on.

Probably the Christmas season is not the best time to take a razor to one's head; I have visions of Great Grandma having a massive coronary beside the Christmas tree when she finally sees me. But trust me, it was all for a good cause.

You see, someone I really, really liked and admired died in September of cancer. He was 20 years old. I really thought he was going to make it - in fact, this time last year we got the good news that, following six months of treatment, his MRI was clear and he was cured. I can remember being so happy last Christmas...

But come February, it was clear that Andrew's cancer was back, and he finally succumbed to it in September. So a group of friends from his old high school got together and bet the Vice Principal that if they could raise $10,000, the VP would have to shave his head. He agreed, and a week later, there was $10,059 in the coffers, and one administrator, three teachers, and about 50 students had parted with their locks.

Now, it's too late for Andrew. A great guy who was looking forward to a great life; that was Andrew. He was a top academic student, and had just finished his first year of university in Ontario. He was a real humanitarian, and had raised funds for many different causes during his time as Students' Council Vice President. In short, Andrew was a great guy and I could go on and on and on about why the gods of cancer should have picked someone else, if they had to pick at all.

But we can't escape the fact that he's gone, and all we can do is keep his memory alive - and keep the money rolling in. Hopefully one day soon, cancer will be beaten.

A New Breed of Designer Shoppers By: Christine Albrecht

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I just received a crash course on Shopping For Stylish Young Women For the Year 2007/08. Gone are the days of ‘Let’s head out to Le Chateau or H & M for some deals’. Gone are the ‘Let’s cruise pricey Robson Street (Vancouver’s modest equivalent to Rodeo Drive) to score some clearance sales like that $2500.00 swing coat we saw a month ago.’

Even my online shopping for deals at (Designer Apparal.com) and my tunnel vision regarding buying only Catwalk Big Names is passé. (My downfall is the inability to deprogram myself from that hypnotic 50% clearance lure for items that are inflatedly marked up 600%).

This is not to say I will no longer shop these sites, but I want to share with readers that our upcoming trendsetters, movers and shakers with disposable cash are not buying into the ‘established designers are the best philosophy. They are scouring the world in search for their chosen designers to spotlight. And ‘quirky’ is in!

While On buzznet, I learned from mdktx1 that shopping for clothing involves searching sites around the world for that special or unique something. mdktx1 did not specifically corner me, stating, You need to learn this...! Rather, I learned from reading her posted Christmas Wish List.

Mdktx1 has a style I find fun, funky, eclectic, and interesting, and I was (acutely) aware that my idea of high-end shopping was archaic, and Versace is a word to be uttered by the beyond - thirty crowd, who have simply forgotten that other designers co-exist in our world. And as for our notion of leaving the house to shop? And in our own city...? Hardly! Let someone overseas discover Vancouver’s unique shops while we discover theirs.

(Of course the truly funky, unique and quirky independent Vancouver shops need to be marketed first and foremost.) I am sure that mdktx1 will love Vancouver’s offerings once I send her some original and fun boutique links. (And by all means, if you know some great local independent designers’ shops - send me the links to their sites so I may enlighten Europe, Australia, and South America! Suggestions for Unique Vancouver Shops

Most importantly, let me clarify something up front. Mdktx1 and other nouexveau shoppers like her are not arrogant or even foolish in their quest for unique, original clothing. The articles they gush over are a fraction of what we were willing to pay while visiting the established names such as Prada, Cavelli, or Versace.

The online economy generated by the purchasing power of these 16 to 30 year old fashionistas makes this generation the new movers and shakers of the fashion world. These are the young women we see strolling down the street and wonder, ‘Wow, what a great look! Where on earth did she get that?’ Once the aforementioned established designer shops catch wind of the new (and hot) trends, they will promptly release their variation of the trend, of course, with the unspoken impression that the style originated with them. After all, they have more marketing/ propaganda dollars to spend on advertising than those unique shops the fashionistas are frequenting.

And now ... I humbly pass on my recently acquired knowledge in the first of my “What’s New in Shopping” segments. You will be directed to these desireable online stores which will result in a friend/ sibling/ child etc. gushing, “Oh My Gawd! I can’t believe you’ve even heard of this shop!”

Here are some sites for you and interested friends to peruse at your leisure. These links will help introduce what will (no doubtedly) be the upcoming trends amongst our younger, similarly aged, or older and savvy worldy shoppers.

Read, memorize and pretend to have been aware of these companies for a long time... but no longer than six to eight months! (Trends have a short shelf life after all).

Fabulous one-of-a-kind homemade and vintage accessories at Etsy’s Site Just check out these 1960 vintage Mary Janes!

Cool Hunter has some mainstream designers, but they also have great ‘80s Space Invaders Hoodies - go to The Cool Hunter. Don’t forget, you can also buy music, books, gadgets, art and housewares at this shop.

Must have sunglasses from Cali Roots

A lovely message scarf from Lulette

Hoodies from Australia Indie Merchandise store

Jewelry from missbibi (Items in every language but English) Miss Bibi

More t-shirts from the Indie Merchandise store

As well as t-shirts from Glamour Kills

Some sweatshirt designs from Sweden’s Shobo shobo

It would be fabulous to scoop some more shoes from the U.K.’s Angeline Tournier Site.

More clothing from JC De Castelbajac.

Check out the clothing at Lonely Hearts Club in New Zealand, Australia and New York. As well, check out their Winter 2007 and Spring 2008 Collections.

Mr Dear John Letter by Shane Christensen

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John Lennon is without a doubt one of the most influential persons in my life, and quite possibly in the lives of an entire generation. I remember as a kid watching A Hard Days Night on TV and being utterly mesmerized by his humour and wit, as well as by his amazing musical talents and abilities as leader of the biggest musical phenomenon of the twentieth century.

Because the Beatles were Lennon’s show, especially in the pre Fab days when they played the raunchy stripper clubs in Hamburg; where they refined their musicianship to the level that would propel them to the type of fame, fortune, and influence that was previously unheard of, except maybe in the case of Elvis. The movie Backbeat is one of the finest biographies of any band or individual I’ve ever seen, and it shows a realistic and truthful account of just how driven John was to reach the heights he succeeded in reaching, in his too short existence.

As a lifelong fan of the Beatles, I was devastated when he was gunned down by a deranged individual at the young age of 40, although sadly at the time I thought he had lived a fairly long life. (I was 18 at the time). I couldn’t listen to his music for years, because it saddened me to think that he was gone, and taken in such a senseless way.

But as you get older and experience more of the up and down realities of this world, you come to realize that life can be tragically unfair to everybody, regardless of their stature or position of wealth and accomplishment. John Lennon did not deserve to die the way he did, but the sad reality is that the same can be said for a great number of public figures or regular Janes and Joes of the world.

So as time went by, I would occasionally listen to the old albums, and eventually the sense of enjoyment did return. When their catalogue was eventually released on CD, it didn’t take me long to buy everything they had produced, so I could hear it like new again, without the skipping and scratching that was on my overplayed and abused vinyl copies.

And while as a kid I loved his music simply for what it was (because it was so damn amazing) later, as a somewhat mature adult I discovered that the message found in many of those songs was equally extraordinary. It could be debated forever whether the Beatles led or followed the social and cultural movements of the time, but it can never be denied that they were more than just a profound musical influence.

And while in subsequent years, ‘tell-all’ books written by the likes of Albert Goldman would try to portray Lennon in the most unflattering or hypocritical ways, the true fans didn’t care either way. Anyone who’s lived long enough to observe human personality understands we are all capable of transgression and less than perfect behaviour. One of John’s rare traits was his willingness to publicly discuss his past indiscretions and errors, and freely admit that he could be a prick and a bastard at times.

And that’s what I loved the most about John Lennon, and I recognized it immediately as a young child watching a magical movie about the day in the life of the world’s biggest rock band. He could be the consummate joker and great entertainer, but he was also painfully honest and self-depreciating, sometimes to a fault. Although outwardly he could appear tough and brash, especially in the early days, just beneath the surface lay an intelligence, compassion, and vulnerability that defined who he was: one of most special human beings who ever walked the planet.

Thank you John for everything you gave us all during your too brief existence. You are still sorely missed by millions - for your music… and your message.

Aaron Nazrul – Butterfly Man CD Release (and CD Party at The Media Club Dec 9th)

Attend Aaron’s CD Release Party on December 9th at 10:00 p.m. at the Media Club in Vancouver, B.C.

Lit Fuse Records presents Butterfly Man , the debut folk album from Vancouver singer/songwriter Aaron Nazrul , produced by former “Doug and the Slugs” keyboardist and Genie Award-Winner Simon Kendall , with additional tracks produced by Lin Gardiner of Super G Music and Vancouver’s DJ Darren Woodhead .

Aaron Nazrul (real name Aaron Ross) was a hit at this year’s Edinburgh Fringe Festival in Scotland, winning popular and critical acclaim: “The Golden Voice of the Festival…definitely a talent to watch for in the future.” Festival FM Radio

Aaron’s music combines the raw emotional intensity of Ben Harper and the cultural diversity of Manu Chao, an emerging talent with the voice of a future classic.  Tracks of note are As the Sun Goes Down, Take These Chains, Butterfly Man, and Delivered featuring guest vocals from Frazey Ford of The Be Good Tanyas.
 
The album was inspired by Aaron’s recent travels in South East Asia, and includes songs written during a motorcycle trip through Laos, Thailand, Vietnam, Cambodia, and China.  Butterfly Man is a slang term in Asia for a restless traveler who never settles in one place, or with one person.
 
The album was Executive Produced by Lit Fuse Records founder Baba Brinkman, who has gained international recognition for his Rap Canterbury Tales performances. Butterfly Man is now available from the iTunes Music Store, with general release in retail stores December 4th.

Web: http://www.myspace.com/aaronnazrul

My Luminaries’ Charitable Release ... Let The People Decide

Let The People Decide is a 7 track live album charting Reading band My Luminaries last year of touring across the UK and Europe. It is a download only release, which can be purchased via a donation of the buyers discretion. 50% of proceeds go straight back into the Reading branch of Billy Bragg's Jail Guitar Doors campaign, following on from this year's festival at the Fez Club, which raised £2000 to buy musical instruments for inmates at HMP Reading Young Offender's Institute.

My Luminaries Myspace

Funds raised from this album are essential to putting the campaign's previous results into action through in-prison tuition, workshops, prisoner led concerts and much more. For information on its proven benefits towards increasing self esteem and decreasing re-offending please see the JGD Reading myspace site or Billy Bragg's nationwide Jail Guitar Doors site (link below).

Billy Bragg’s Jail Guitar Doors

TRACKLISTING

1. A Little Declaration

2. Welcome

3. An Order From The Chaos

4. The Outsider Steps Inside

5. Waiting On A Revelation

6. Petrol Station Union Jacks

7. My Idiot Fix

TO DONATE

LTPD can be purchased November 30, 2007 onwards, from both the My Luminaries myspace site and the JGDR myspace site and using the paypal donation link below.

After donating, paypal will redirect to the download site, where the album can be downloaded as a .ZIP file.

My Luminaries Paypal Link

Strata Releases Stay Young Video

Strata is a four-piece rock band from California. Although I can’t give them kudos for a great name, I can give them kudos for a great video release, Stay Young.

They have experienced previous success with their songs, Piece by Piece and Never There (She Stabs) (featured on the soundtracks for the movies The Punisher and Elektra, and on the video game, Madden NFL 2005).

Check out their latest video here:

Visit Strata’s Video Stay Young

Or here:

Visit Strata’s Video Stay Young

Visit Strata’s Website

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