Monday, February 23, 2009

Beautiful British Columbia By: Lannon McGregor

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Beautiful B.C.

It's the rainy days

that are swept away,

when the sun cracks through the clouds.

It’s the haunting way

in which the beauty's saved,

from the city’s smoggy crowds.

It’s the way the world

hides precious pearls

on the shores of the roaring sea.

It’s yours, it's mine,

in rain or shine...

It’s beautiful B.C.


A piece of advice...

Next time you’re stuck in a rut of self loathing; when you feel like nothing can possibly get better because things could never be worse than they presently are. Whenever you think others, in far off tropical lands, have it so much better than you...

Take a look out your window and breathe it in; cuz you live in British Columbia - the greatest fuckin’ place in the entire world.

Images: ecotoursvictoria.com/, vantoptours.com, farm1.static.flickr.com, whale-images.com

Thursday, February 19, 2009

Sasquatch Festival By: Lezah Williamson

Once again, the Sasquatch Festival is running on the May 23rd to 25th long weekend down in beautiful George, Washington.  If you've never been to The Gorge at George - well, it's worth a trip in itself, and if you have some great music to make the weekend even better... heck, that's a no-brainer!

You can find out all the information about the line-up yourself at
the Fesitval’s site, but here's just a sampler:

Saturday, May 23 - Kings of Leon, Yeah Yeah Yeahs, The Decemberists;

Sunday, May 24 - TV on the Radio, Calixico;

Monday, May 25 - Fleet Foxes, Loch Lomond.

There's a comedy stage as well, and featured there is the oh-so-lowkey Zach Galifianakis ("starts with a gal, and ends with a kiss").

Not to be missed.

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Wednesday, February 18, 2009

Sola Caritas By: Lezah Williamson

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I'm all for things that make our world a better place, and simply by googling Sola Caritas and watching a couple of ads, you too can help to make our world a better place.



Sola Caritas is the brainchild of an amazing young guy I know, David Wen.  Along with some partners, he has created a website where you can help send money to charities - and it doesn't cost you a red cent! Gotta love that!



It's brilliantly simple:  businesses team up with the Sola Caritas website, which in turn runs ads for said businesses.  Every time you watch one of these ads on the Sola Caritas website (for free, I remind you!), 50% of the ad fees get sent to a charity.  The more clicks, the more money. This brilliant idea found Sola Caritas take 1st Place at Dalhousie University’s EcoVenture 2008, (Canada’s first ever green business plan competition.)



Easy peasy.



Saturday, February 14, 2009

Earl Emerson By Lezah Williamson

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Lately I've had a hankerin' for all things Seattle, and my jones didn't let up at all once I started reading my latest Earl Emerson novel. Now, in case you've never heard of him, Earl Emerson is a Seattle-based writer (he actually resides in North Bend, Washington, where they filmed Twin Peaks, for all you fans of the quirky out there) and has a day job as a lieutenant with the Seattle Fire Department.

Emerson's the author of two series, the Mac Fontana books and the Thomas Black mystery stories; it's one of his Thomas Black books that won the Shamus award (Poverty Bay was the first novel of the Regan era to deal with the topic of homelessness). Early in 2009, the first Thomas Black book in ten years, Cape Disappointment, is being released.

The book I'm currently reading, though, is the 2002 thriller, Vertical Burn. It's all about life in the world of the modern-day firefighter. Just the information alone is interesting, but Emerson strings along a pretty good story on top of that. Add to that the rush of familiarity you get when he mentions places you've been to, and you end up with a great way to spend a dreary winter weekend.

Saturday, February 07, 2009

Steampunk By Lezah Williamson

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Steampunk is currently undergoing a resurgence especially in the areas of culture and lifestyle, with the steampunk aesthetic being explored in fashion, home decor and music. The League of Extraordinary Gentlemen comic book and movie helped to popularize steam punk, as did the book Steampunk (2008), an anthology of steam punk fiction.
Steampunk is also known as neo-Victorianism and is often associated with cyberpunk. It takes works set in the Victorian era and combines them with modern technology.

Photo of steampunk band, Outlanders from coffeeandteashow.libsyn.com

Ballet B.C. -The Goldberg Variations - Side 2: Adam & Eve & Steve

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Ballet BC, BC's premiere company, is known for bringing both traditional and contemporary dance to its audiences. Not only does Ballet BC feature its own company, but it also invites other dance troups from around the world. At Christmas, the Moscow Ballet was here dancing in The Nutcracker, and in January we were supposed to see the Korean Ballet.

Unfortunately, the financial crash during the Fall came at the worst possible time for the ballet company, and the resulting drop in ticket sales put Ballet BC into receivership. The media attention that was drawn to this, in the end, saved the perennial Christmas favourite, The Nutcracker, but the Korean Ballet Company was cancelled for January.

In the meantime, restructuring was taking place behind closed doors , and the good news is that Ballet BC is back on its feet with much firmer footing.

You can look forward to them performing The Goldberg Variations - Side 2: Adam & Eve & Steve, a world premiere by James Kudelka (along with Carmen) on Feb. 26-28 at the Queen Elizabeth Theatre.

Cultural Olympiad II By Lezah Williamson

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Whistler Film Festival Snow Screen

What could be better than being outdoors at the site of the 2010 Olympics - and watching movies for free? On Feb. 21 and 22, you can go up to Whistler and do just that as part of the Cultural Olympiad.

Cultural Olympiad : Broken Social Scene and Tegan and Sara

By: Lezah Williamson

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As part of the Cultural Olympiad, on Feb. 6 you can go hear the atmospheric, bombastic sounds of Broken Social Scene; opening for them are the boundary-bending punk/folk/pop/rock twins from Alberta, Tegan and Sara.

Image from villagevoice.com

The Bob By: Lezah Williamson

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I was quite surprised - one might even say floored - when I read a quote from celebrity stylist Rachel Zoe on the next big hair trend for 2009. Her prediction?

The Bob.That's right, Rachel Zoe, who ends up with all her clients looking like the same little size-zero, straight-centre-parted, blond-haired, oversized-sunglasses-wearing waifs that Rachel Zoe was saying the Bob is the next big thing.

Frankly, the bob is so far away from the look Rachel Zoe promotes as to be from another planet. So I guess, if that's the case, it must be true...

Image from www.dailymail.co.uk

Friday, January 30, 2009

The Watchman (Worth The Wait?) By: Lezah Williamson

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One of the most highly anticipated films for spring 2009 must surely be The Watchman. Based on the graphic novel of the same name, it is directed by Zack Snyder. Legal battles over distribution rights between Fox and Warner have pushed back the release date, but that looks to be settled now; rumours last year had fans worried when the movie was clocking in at just over three hours. Likewise, a fantastic first trailer was followed by a much weaker one. Add to that a storyline and cast of characters that many feel will be hard to translate to the big screen in a meaningful way, and you've got a whole lot of people waiting with bated breath until March.

My prediction: it'll be worth the wait.

The story, set in an alternate 1985 America, where superheroes are a part of everyday life, is a strong one. Writer of the graphic novel, Alan Moore (V for Vendetta, The League of Extraordinary Gentlemen, Swamp Thing) is a legend. The film's director Snyder has vowed to stay as true to the graphic novel as possible. He has also, apparently, worked some CGI magic with main character Rorschach's mask which can only add to the overall effect.

All in all, this film will be a good one to watch for.

Lie to Me - Best on TV Emmy, Anyone? By Lezah Williamson

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The best new show out on TV now is Lie to Me, starring the fantastic British actor Tim Roth (Reservoir Dogs).

The show, which started airing this week (Wed. Feb. 21) is inspired by a real life deception specialist - in other words, a human lie detector. The main character works for a private agency that is contracted to the FBI, but you also see the more human side of Roth's character in his interactions with his peers. Overall, this show was well written and, with Tim Roth on board, really, you can't go wrong.

Dollhouse: TV Show By Lezah Williamson

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Here's a new one to watch out for... Dollhouse.

Originally, Dollhouse was to start airing in January of 2009, but has been pushed back. Written by Joss Whedon (Buffy the Vampire Slayer, Firefly) and starring Eliza Dushku ("Faith" in Buffy the Vampire Slayer), the show is set around a group of individuals whose personalities have been wiped clean so that they can be parachuted into new lives, where they gather information and help create 'situations'.

They return after each assignment to the Dollhouse; complications arise, however, when the FBI starts sniffing around. Likewise, main character Echo (Dushku) starts to remember - it turns out the memory erasing didn't stick with her.

Passages (1932 - 2009) - John Updike By: Lezah Williamson

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"The great thing about the dead, they make space.

quoted from: Rabbit is Rich, by John Updike). And so it goes. John Updike died today, Jan. 29, 2009, once again, proving himself right.

Updike was born in Pennsylvania in 1932; was a Harvard grad who twice won the Pulitzer Prize for Rabbit is Rich and Rabbit at Rest. He is best known for his Rabbit series, as well as his chronicling of suburban adultery in small-town- USA, as seen in novels such as The Witches of Eastwick.

But Updike was also a poet, short story writer, art critic and literary critic. Altogether, he wrote 25 novels in his career, while working for The New Yorker and the New York Review of Books. In addition to these accomplishments, he was featured in an episode of The Simpsons, and he also enjoyed writing childrens' books.

Although Updike had suffered from a skin condition for years, it was lung cancer which determined his final ending.

Image from s.matrix.msu.edu

Saturday, January 17, 2009

Pick Ton By: Lannon McGregor

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A few police in ol' B.C.

Searched Willy's farm,

and found some teeth.

The rivers swelled,

As numbers tolled

and ANGELS fell

Where HELL runs cold.

See the hate in Willy's eyes,

See all the twisted ways to die.

Ask the pigs

Fed and big

Oh, if only they could talk.

They'd sniff at the mud

in thirst of blood,

and tell you of the meat Willy brought.

They'd watch the Mounties' patience boil,

While digging deep through Willy's soil.

They can't wipe their hands from the stench of shit,

They've seen a lot, just not this sick.

They've seen rape; they've seen dead,

But they can't see the HATE in Willy's head.

Rot In Hell!

L.M.

Remember The Women.

Modern Pirate: By Lannon McGregor

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Pirate man,

Is using hands,

While digging cities' garbage cans.

Sucking Blood,

Rolling Mud,

Eating - Breathing,

The cities' sludge.

There he sleeps,

On cracked concrete

Wakes up wide-eyed, incomplete.

With a shopping cart,

He's modern art,

Grudgingly fed

from the bottom of our hearts.

Worn out souls

In both heart and shoes.

But never stole,

That he can't use...

Friday, January 16, 2009

The Curious Case of Benjamin Button :Movie Review and Critique Christine Albrecht

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Read Fitzgerald's Original Story

Directed by David Fincher


Original Story written by F. Scott Fitzgerald


Starring:


Brad Pitt (Benjamin)


Cate Blanchett (Daisy)


Julia Ormand (daughter)

Before launching into a nit-picking, plot questioning critique of The Curious Case of Benjamin Button, I wanted to share some theatre observations, as well as acknowledge several of the film's merits. The original short story was written by F. Scott Fitzgerald and the movie's screenplay (long held by Ray Stark) had been purchased and directed by David Fincher.

I purposely went to the 4:30 viewing at Colosseus Cinema on Boxing Day, during a hefty snow storm, with the smug assumption I'd have the theatre to myself. Well, apparently everyone felt smug that day as the theatre was packed and I was just able to grab the last few seats. I understand The Curious Case... had just opened the day previous, but I hadn't anticipated this faithful attendance.

While watching this movie, I mentally hummed the chorus to The Faces' song, Ooh La La. I wish that I knew what I know now, when I was younger. Benjamin Button represents those "What ifs..." we all experience from time to time, while reminiscing those mistaken beliefs of our youth. A brief yearning to go back in time, yet still be empowered with current knowledge.

After viewing "The Curious Case..." I was unable to gauge any kind of audience reaction, as this movie threw a blanket of silence on everyone, myself included. I have never attended a show where the audience didn't verbally assess the experience on their way out. If quiet introspection was capable of sound, like a car horn, our exiting would be akin to a New York Taxi Drivers' convention. A cacophony of deep thought.

Both the book and the movie version of The Curious Case of Benjamin Button contain the line "I was born under unusual circumstances..." and that is where the similarities end. I readily admit that I understand the purpose of the differences as I am not fond of Fitzgerald's main character.

We all hate getting older, but who would actually want to get younger as they progress through life? To be have the agonies of painful adolescence ahead of one? The powerlessness and dependency of early childhood, while cognizant of the lifetime one has experienced? No thanks. Yet that is what Brad Pitt has managed to portray to viewers, while maintaining a thoughtful and quiet acceptance of his situation.

I have glanced through critics' reviews of the movie, and I am confused by their disregard of the glaring discrepencies between the book and the movie. I will volunteer to point at the elephant in the room because, after all, he's huge!

Benjamin Button had the misfortune (or to some, good fortune) to be born an old man. Our character enters this world as a baby, albeit an arthritic, slow moving, cataract impaired newborn. The movie dramatically shows Benjamin being rejected by his father (after his mother dies during his birth) and subsequently abandoned. The book has Benjamin being emotionally abandoned, but nonetheless, remaining at home where his old-man behaviours are a source of embarrassment to his father who constantly demands that Benjamin behave more child-like.

Aside from peripheral characters entering and leaving Benjamin during his formative years (which helps explain his varied education and philosophies) the book and movie differ in many other areas. The most serious digression from the original is in Benjamin's aging process. Fitzgerald has his protagonist born with an 85 year-old's thoughts, behaviour and attitude whereas Fincher's movie has the character physically representing an 85 year-old, but mentally on par with a newborn. As the book-Benjamin becomes more immature, in keeping with his age defying appearance, the movie -Benjamin becomes more worldly and wise while physically regressing.

I understand the reasoning behind Pincher's version of Benjamin Button's aging. Overall, Fitzgerald's original character is not a likable guy; meanwhile there's something bittersweet in watching movie-Benjamin experience his first drink, first love, etc. as an 18 year-old man housed in the body of a 65 year-old senior. Movie-Benjamin is more appealing to the average viewer than 7 year-old, book-Benjamin smoking cigars, cursing, and leering at woman.

The movie contains a few changes that I didn't understand as necessary. Why is Benjamin abandoned at an old folks' home in the care a single, financially strapped, black woman (Taraji P Henson)? Henson delivers an outstanding performance as Benjamin's adoptive mother, Queenie, but how necessary was this change to the story's telling? I am grateful for the entertainment of the old folks' home setting as it allowed for a nice introduction to the developing love story between Daisy (Cate Blanchett) and Benjamin (Brad Pitt).

As well, some of the seniors residing alongside Benjamin at the home, provided the much needed comic relief during an otherwise somber movie. For example, the comedic, intermittent presence of 'The General' whose self-introductory line to Benjamin is consistently, "Did you know I've been struck by lightning 7 times?" We are then given a visual of The General being struck.

I wondered if the writer(s) felt Benjamin wouldn't have been able to explore his 'firsts' during early manhood if his parents were around, or more vigilant? (However, that implies adoptive/foster parents are less aware of their children's behaviour or whereabouts.) As well, why couldn't his movie father have maintained the book's hardware business? Why did the movie allow a simplistic 'button manufacturer' family business? As well, if they wanted Benjamin to be perceived as an abandoned orphan, why reintroduce his father (aside from to explain an inheritance)? Finally, although less melodramatic, the movie's ending would be equally touching to view baby-Benjamin nestled in bed, near his Nana in the home of his son, Roscoe (book), than in the arms of his lover, Daisy (movie). I will admit I was sucked into the movie's predictable moment when infant Benjamin and aged Daisy lock eyes, and exchange a fleeting moment of complete recognition and love. Like a silent farewell. So corny, yet so wonderful, necessitating the folded arms, stare-at-the-ceiling-and-blink-rapidly, stance.

I have always enjoyed Brad Pitt's acting yet I sympathize with him as his undeniable good looks immediately discount any acting talent he possesses; forcing him to work three times harder than the likes of Tom Hanks, Sean Penn, or Jack Nicholson. Cate Blanchett is a perfect counter-partner for Pitt, visually and in spirit and timing. The make-up/ visual effects artists responsible for the characters' aging demonstrated remarkable talent, as they allowed us to witness the characters realistically age, or de-age in Benjamin's case. Daisy gracefully ages from the feisty, stunning dancer to a bedridden senior resisting removal from her hospital care during the Hurricane Katrina disaster.Julia Ormond's character (as Benjamin's and Daisy's daughter) was so milquetoast, she could have been invisible. She was simply the vessel whose questions allowed Daisy to recollect and share her untold youth. Throughout the flashbacks of Daisy's recollections, I had difficulty determining which time period showed Pitt's and Blanchett's characters as they are in reality. The make-up effects should merit an Oscar nod.

I suppose, in order to make money, it was decided that The Curious Case... should evolve as a love story, one which supports the "love can surpass both time and age" rather than keep with F. Scott Fitzgerald's razor-sharp, sardonic look at society's celebration of youth, and open disdain towards aging. If that story had been kept, there wouldn't be much to love as book-Benjamin figuratively holds a mirror up to a class-conscious society, thus reflecting the absurdity of placing importance upon appearance and material accumulation. Both the book and the movie do drive home the importance of character. It's what inside that counts. Movie-Benjamin has 'character' in spades.

I enjoyed the movie, just as I enjoyed the short story (see link to story above), and I am grateful that never the two did meet. The two versions are so vastly different; combined, it couldn't have worked. Perhaps someone will come forth with a modified 3rd version; one which nicely melds the original and movie version. I have heard there is another story out which offers more depth to Fitzgerald's original plot. Perhaps this is the third view I am searching for. It is also titled the The Curious Case of Benjamin Button and is written by Nunzio DeFilippis and Christina Weir (with illustrations by Kevin Cornell).

For scenic views, Pitt's and Blanchett's artistically balanced acting, masterful make-up (10/10), and for allowing Benjamin to be portrayed as a likable character, I give the movie 8.5/10.


Sunday, December 28, 2008

A Bean to Pick with Starbucks by Lannon McGregor

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I woke myself from a short sleep to greet Monday with saggy, heavy eyes. The morning air was topped with a crispy crust of fog with a mist and cloud-filled center.

Habit forced me to stop for my usual Starbucks' fix. Lucky for me, I had half a dozen Starbucks' outlets to choose from during my five-minute walk to the Sky Train Station in downtown Vancouver.

While I was waiting for my Venti Americano (aka extra-large coffee), I impulsively grabbed a bottle of water and paid $1.99 for this 'seemingly' normal beverage.

Now, allow me to confess: I am not known for "paying" for water. Call me crazy, but I believe the freshness of water tastes just the same from the tap as it does bottled (aside from the general smug feeling one gets from the obviously elitist choice to pay for water), and such was the case with my purchase of Starbucks' "Ethos" water except Ethos had a promotion which spoke to my innermost humanity.

After looking at the heart-tugging, subliminally prompting, (the image was of clearly thirsty Africans) and reading the "Help the World", or some equally similar hippie-bullshit promotion, I assumed that my Ethos water-purchasing-coins would contribute to implementing change in an otherwise, impoverished country.

And then I scanned the information on the back label which read:
... only 10 cents of my $1.99 contribution would go towards building wells for villagers in Africa...
and, I've gotta tell you, I was appalled. Here's a company which can afford to put two outlets directly across the street from each other, but can't afford to dish out more than 10 cents per bottle towards the promoted charity? Yet somehow they can justify charging two bucks for a bottle of water, by disguising the sale as a lame-ass excuse for a humanitarian mission instead of as the marketing ploy it is? I mean 10 cents? C'mon! That's not even 10% of the proceeds yet the charitable aspect is 90% of their campaign to sell the product. It's ridiculous to think we have to pay as much as $2.00 for water just to get a company to take some responsibility in helping someone.

This whole scheme is marketing at its best. We are always force fed guilt like it's our job, as middle class working stiffs, to help the poor whom these corporations are generally getting rich from. Why do we have to buy a happy meal from billionaire corporations like McDonalds just to encourage their (tax-deductible) charitable contribution of 10 cents to Childrens' Hospital?

Corporations are the only groups with the means to help and provide REAL change, yet time and time again they are ignoring their obligations by constantly passing off the responsibility to their consumers by using these charitable marketing schemes to play on our compassion.

The funny thing about it is, I passed a homeless man on the way in who asked me for change and I told him to get a job. Had I given the clearly, alcohol-dependent man the $2.00 I spent on the water, at least I would have been giving to a more immediate cause, rather than having my money sucked into the vacuum of a faceless corporation. After all, everyone's gotta drink something.

On the plus side, I am glad to see Starbucks do SOMETHING for a country they have been raping for all these years. I wonder how much those Ethiopian bean pickers make per hour?

I wonder if it's more or less than a bottle of Ethos water?

I hear it's awful hot over there...

Thursday, December 18, 2008

The Mohawk Lodge By: Lezah Williamson


Every so often I'll hit upon my latest fave song: currently it's Wear 'em Out by The Mohawk Lodge.

Dave comes by lots of compilations and British 'best of...' Cds, so I was just assuming that this group was from some distant realm. Well, I am happy to say I was wrong, and very pleased to learn that my new fave hails from my own backyard, Vancouver!

They're connected to Black Mountain and have released material through them; their debut, Wildfires, was described as 'dirty folk', but their latest is more blue collar indie/soul/rock. The band's Ryder Havdale describes them as "reformed math rockers trying to write '80's hits".

They've just completed both a cross-Canada and short European tour this fall.

Although they have no show dates currently posted, they are certainly one to put on your 'watch' list...

Friday, December 12, 2008

Flight of the Conchords By Lezah Williamson

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I read recently that in tough economic times, comedies become more popular.

Sadly, the quality of most comedies these days hasn't become any better than it was were our economy stronger. In fact, there is only one comedy out there in TVland right now that is any goo. But the great news is it's brilliant. Wednesday evenings on the Comedy Network you can tune into Flight of the Conchords, probably the best show on TV today.

Based on the life of two band mates who have relocated from New Zealand to New York, Flight of the Conchords offers both comedy and songs (a combination that usually does nothing for me). And the actors Bret McKenzie and Jermaine Clement aren't too hard to look at, either.

Their lives revolve around their low rent apartment, meetings with their manager (who seems incapable of getting them any gigs), their one fan, and Bret's ever-changing status as a band member. The twosome bill themselves as 'formerly New Zealand's fourth most popular guitar-based digi-bongo acapella-rap-funk-comedy folk duo'. Together, they have won a Grammy (2008, best comedy album), created a radio series for BBC Radio 2, been named to the list of top five new TV shows for 2007 by Time magazine, and still tour and perform at various venues (this year, they were on the main stage at Sasquatch Festival, and did a free show a Amoeba Records, to name but a few).

Not to be missed.

Image from Wordpress.

Bowie/Glam Night

On Thursday, February 5 at Celebrities Nightclub (Davies Street, Vancouver) you can step back in time and celebrate the best music of the '70s and '80s - Bowie, Glam, New Wave - it's all there for you to hear and dance to!

Promoter Vernand Goud pays hommage to the late, great Vancouver hotspot, Luv-A-Fair once again with Luv-A-Fair #4 - Bowie/Glam Night. I attended Luv-A-Fair #1 and #3, and the word is obviously getting out: the attendance at #3 had pretty much tripled from night #1.

So, this is obviously a case of be there or be square!

t


images from ibabuzz and ellenthegreat